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Rachel Aviv reports on the terrible conundrum of Alice Munro for The New Yorker. Munro was a winner of the Nobel Prize in Literature and perhaps the most acclaimed writer of short stories of our time, but her legacy darkened after her death when her youngest daughter, Andrea Skinner, revealed that Munro’s partner had sexually abused her beginning when she was nine years old. The crime was known in the family, but, even after a criminal conviction of Gerald Fremlin, Munro stood by him, at the expense of her relationship with Skinner. In her piece, Aviv explores how, and why, a writer of such astonishing powers of empathy could betray her own child, and discusses the ways that Munro touched on this family trauma in fiction. “Her writing makes you think about art at what expense,” she tells David Remnick. “That’s probably a question that is relevant for many artists, but Alice Munro makes it visible on the page. It felt so literal—like trading your daughter for art.”
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