SHOW NOTES:
Sources:
“Living: Onward, Women! The Superwoman Is Weary, The Young Are Complacent, But Feminism Is Not Dead. And, Baby, There’s Still A Long Way To Go” by Claudia Wallis Monday, TIME, Dec. 04, 1989
“The President’s Manhood” by Asa Baber, Playboy, May 1990
“Dealing with Lady Macbeth” by Asa Baber, Playboy, October 1990
“The True Sister Profile” by Asa Baber, Playboy, November 1990
“Driving with Daisy” by Asa Baber, Playboy, December 1990
“Lost in America” Premiere, April 1991
“A Question of Focus” by Asa Baber, Playboy, March 1991
“Thelma and Louise” Review by Henry Sheehan, The Hollywood Reporter, May 6, 1991
Thelma and Louise, Roger Ebert May, 1991
“Thelma & Louise” Variety, May 13, 1991
“Queens of the Road: Thelma and Louise Leave Hollywood in the Dust” by John Powers and Helen Knode, LA Weekly, May 24, 1991
“Ms. Maverick” Profile of Susan Sarandon by Jay Carr, Long Beach Press-Telegram, May 25, 1991
“Borderline” by J. Hoberman, Village Voice, May 28, 1991
“Her Say” by Nancy Randle, Chicago Tribune, c. 1991
“Film: Hollywood-Style Firefighters; Ladies on the Lam” by Julie Salamon, Wall Street Journal, May 30, 1991
“Movies” by Bruce Williamson, Playboy, May 1991
Thelma & Louise By Peter Travers, Rolling Stone, May 24, 1991
Movie Reviews: Smooth Ride For ‘Thelma & Louise’ By Kenneth Turan, La Times, May 24, 1991
“Outlaw Princesses” by Terrence Rafferty, New Yorker, May 26, 1991
“A Postcard From the Edge” by Richard Schickel, TIME May 27, 1991
“True or False: Thelma and Louise or Just Good Ol Boys? side by side editorials by Peter Rainer and Sheila Benson, LA Times, May 31, 1991
“Driving Force” by Lisa Schwarzbaum, Entertainment Weekly, May 31, 1991
“Film: Hollywood-Style Firefighters; Ladies on the Lam” by Julie Salamon, Wall Street Journal, May 30, 1991
“The Current Cinema: Outlaw Princesses” by Terrence Rafferty, New Yorker, June 3, 1991
“The Third Woman of Thelma and Louise” NYTimes, June 6, 1991
“Road Games” Anne Thompson, LA WEEKLY, June 21, 1991
“Films” by Stuart Klawans, The Nation, June 24, 1991
“Toxic Feminism on the Big Screen” U.S. News & World Report; Washington Vol. 110, Iss. 22, Jun 10, 1991
“Thelma, Louise Hit the Road” by Andrew Sarris, NY Observer, June 10, 1991
“Lay Off ‘Thelma and Louise’” by Janet Maslin, NYTimes, June 16, 1991
“Women Who Kill Too Much: Is Thelma and Louise Feminism, or Fascism?” Laura Shapiro
Andrew Murr, Karen Springen, Newsweek, June 17, 1991
“Can Thelma and Louise Continue to Defy Gravity?” by Anne Thompson, Variety June 17, 1991
“Films” by Stuart Klaxons, The Nation, June 24, 1991
“Faces Places” US, June 27, 1991
‘Thelma And Louise’; It’s All In the Context” Letter to the Editor, NYTimes, June 30, 1991
“Gender Bender Over Thelma & Louise, A White-Hot Debate Rages Over Whether Thelma & Louise Celebrates Liberated Females, Male Bashers — Or Outlaws” By Richard Schickel Monday, Time Magazine, June 24, 1991
“Is This What Feminism is All About?” TIME, Margaret Carlson Monday, June 24, 1991
“Get a Grip Guys: This is Fantasy” by Patt Morrison, LA Times, July 22, 91
“Killer Bimbos” by Richard Grenier, Commentary, Sept 1991
“Their Endless Summer: Which Other Movies March Off to Video, Thelma and Louis Keeps
Rolling Along” LA Times, Sept 15, 1991
“Men” by Asa Baber, Playboy, October 1991
“Guerrilla Feminism” by Asa Baber, Playboy, October 1991
“The Movie Management Of Rape” by Schulman, Sarah, Cineaste, Dec 1991
“The Woes of ‘91” The Ten Most Important Films of a Troubled Year” By John H. Richardson, Premiere, February 1992
“Shorts” The Hollywood Reporter, May 5, 1992
“Thelma and Louise” Screen International, February 26, 1993
“The Mutant Offspring of Thelma and Louise, Mantrack” by Joe Bob Briggs, Playboy, Playboy 41, issue 2 (1994)
How Thelma & Louise Captured a Moment in the History of American Feminism” by Olivia B. Waxman, TIME, May 23, 2016
“Susan Sarandon On ‘Thelma & Louise’: We Didn’t Set Out To Make A Feminist Film” By Christie D’zurilla, LA Times, Dec. 14, 2016
Off the Cliff: How the Making of Thelma & Louise Drove Hollywood to the Edge by Becky Aikman
“’Thelma & Louise’ Ending Deleted Scene Shows What Really Happened to Them”
by Safeeyah Kazi, Newsweek, May 24, 2021
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